MONO – Tickets – Space Ballroom. – Hamden, CT – November 22nd, 2019
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The Tokyo, Japan based 4 piece Instrumental Rock band MONO was originally formed in 1999. Their unique approach of blending orchestral arrangements and shoegaze guitar noise in their music has been held in extremely high regard; so much so, that the band’s musicianship can no longer be sustained by Rock music alone and was praised by British Musical Magazine NME as “This is music for the Gods”. One of the most monumental live memories of the band was a special set of shows with 23-piece orchestra in New York, Tokyo, London and Melbourne. Their annual world tour consists of around 150 shows. The band has now visited over 50 countries and proudly holds the stake of being one of the most internationally successful bands in Japan. Among their fans, they are revered as one of the best live bands in Rock. After releasing 9 successful albums including a live album with New York orchestra, the band received the highly regarded award “The Marshall Hawkins Awards: Best Musical Score - Featurette” from the Idyllwild International Festival of Cinema for their collaborative short film “Where We Begin” in 2015. Now in 2016, the band has finished recording their 9th album with Steve Albini at Electrical Audio, Chicago. The album is set for an Autumn 2016 release.
With their third full-length album, “Mirror Reaper,” Seattle’s doom metal duo BELL WITCH have created a truly enormous work – one continuous 83-minute piece unfolding as a single track. The album will be released on October 20th by Profound Lore Records.
Engineered and mixed by veteran producer Billy Anderson (Swans, Sleep, Neurosis), the duo of Dylan Desmond (bass, vocals) and Jesse Shreibman (drums, vocals, organ) have pushed the band’s sound further than it’s ever gone before. While retaining the monolithic heaviness of their previous releases, “Mirror Reaper” sees the band explore the more meditative, melancholy, and introspective aspects to their sound through the introduction of long, lonely organ passages and the return of honorary BELL WITCH member, vocalist Erik Moggridge (Aerial Ruin), offering a prominent presence.
Formed by Desmond and ex-drummer/vocalist Adrian Guerra, BELL WITCH released their first self-titled demo in 2011 and partnered with Profound Lore Records for their debut album, “Longing,” in 2012. The duo’s second LP, the acclaimed “Four Phantoms” (2015) was recognized as one of doom metal’s triumphs of the year. The band extensively toured in North America and Europe, securing notable festival appearances (Roadburn, Basilica Soundscape, Sled Island, Psycho CA).
On the themes surrounding the concept and lyrics of “Mirror Reaper” the band state:
“The title ‘Mirror Reaper’ is indicative of the Hermetic axiom ‘As Above, So Below,’ written with two sides to form one whole. The song is both its own and its reflection, as an opposite is whole only with its contrary. Our focus as a band has always been the perception of ghosts and the implied archetype of the dichotomy of life/death therein. ‘Mirror Reaper’ is a continuation of that concept.
During the writing process we were devastated by the loss of our dear friend and former drummer, Adrian Guerra. In love and respect to his memory, we reserved an important yet brief section in the song for him that features unused vocal tracks from our last album. This specific movement serves as a conceptual turn in the piece, or point of reflection. We believe he would be proud of it as well.
‘Mirror Reaper’ was the first collaborative writing project with the new line up, and Adrian's death during it brought extra emotional weight. We sought to match the complexity and weight of these events within the composition of the piece.”
295 Treadwell Street
Hamden, CT, 06514